Over the past few weeks two of our most foremost media commentators, Anton Harber and Guy Berger, have looked at the calamitous state of the United States newspaper industry (or what is left of it) and asked - is it going to happen in South Africa and what can be done about it?
Like sailors discussing the coming storm at sea their analyses are underpinned by a sense of fear and foreboding. Harber headed a recent lecture on the topic "Journalism: A profession under siege." If there is reason for hope it is only because, thanks to Telkom, the South African press has time to prepare. People in the industry here are right to be nervous, Berger writes, "but our pre-broadband era provides some breathing pace to avoid a similar fate."
As these and other commentators have pointed out the old newspaper model was able, in the US, to finance extensive and sophisticated news gathering organisations. Thus, while American newspapers were privately owned concerns they served a clear public interest. Their demise thus comes at a cost greater than the financial loss to their shareholders.
The problem with both analyses is that they simply transpose American concerns - at what the demise of newspapers will do to journalism in that country - to the very different South African reality. Harber is not wrong to argue that if newspapers die, journalism suffers, but in a sense the worst has already happened to our metropolitan English-language broadsheets.
Over the past fifteen years the general trend has been towards appointing politically inoffensive editors, shedding talented journalists, ‘juniorising' newsrooms, prioritising racial quotas, dropping controversial columnists, and cutting back on real investigative reporting. If New York Times journalists could see the future of their newspaper - and it was The Star of today - I think many would lose the will to live.
The advertising revenues of the Independent group of newspapers were spent not on supporting South African newsgathering but - as Paul Trewhela notes -on sustaining the loss-making Independent of London (Tony O'Reilly's so-called ‘calling card'.) It was this kind of relationship, incidentally, which gave colonialism a bad name.